In today’s newsletter, the ritualistic sights and scenes at Pope Francis’s funeral. Plus: I watched the funeral for Pope ...

Now everything must change. That kind of knowledge production has, in effect, been automated. As a result, the “scientistic” ...

Jeff Bark’s elaborately composed scenes channel sundered American fantasies. They also function as personal folklore.

In Dea Kulumbegashvili’s film, Ia Sukhitashvili plays a Georgian obstetrician who views a woman’s right to choose as an ...

From the daily newsletter: what happens when we can optimize pregnancy. Plus: Susan B. Glasser on Trump’s confused desires.

As the transatlantic alliance falters, a major exhibition of U.S. photography offers Europeans a dizzying array of ...

Paul Clement complained that Big Law was becoming “increasingly woke.” Now he’s defending one firm’s right to do just that.

Also: reviews of Broadway’s “Smash” and “John Proctor Is the Villain”; New York’s financial crisis of 1975 in “Drop Dead City ...

Whether a trade pact with China or a peace accord with Russia, the President doesn’t seem to know what he’s actually asking for, never mind how to actually achieve it.

Funding shifts at three of the largest philanthropic foundations have brought turbulence and uncertainty to the intricate New York support system for the performing arts.

Sarah Larson Larson is a podcast critic and staff writer.

As Tesla’s profits drop, a group called Everyone Hates Elon is going viral for plastering London with fake advertisements for ...