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Now everything must change. That kind of knowledge production has, in effect, been automated. As a result, the “scientistic” ...
Jeff Bark’s elaborately composed scenes channel sundered American fantasies. They also function as personal folklore.
In Dea Kulumbegashvili’s film, Ia Sukhitashvili plays a Georgian obstetrician who views a woman’s right to choose as an ...
As the transatlantic alliance falters, a major exhibition of U.S. photography offers Europeans a dizzying array of ...
From the daily newsletter: what happens when we can optimize pregnancy. Plus: Susan B. Glasser on Trump’s confused desires.
How U.S. military lawyers see Israel’s invasion of Gaza—and the public’s reaction to it—as a dress rehearsal for a potential ...
Before Lincoln turned the idea of “the Union” into a cause worth dying for, he tried other means of ending slavery in America ...
It took its current form in 2018, under President Andrés Manuel López Obrador—a pugnacious, swaggering populist known ...
Also: reviews of Broadway’s “Smash” and “John Proctor Is the Villain”; New York’s financial crisis of 1975 in “Drop Dead City ...
With a big year ahead, the British rocker visited his old West Village haunts and remembered the bourbon-soaked night when ...
The President is at the center of a brazenly transactional ecosystem that rewards flattery and lockstep loyalty.
After a screening of “Drop Dead City,” a new documentary on N.Y.C.’s 1975 fiscal crisis, a crew of old union ...
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