Peter Hastings’s movie incarnation of the popular graphic novel series presents a cheerful whirlwind of goofball gags, silly puns and moments of real poignancy in an endearing, unpolished package.

Reviews were middling, but the film picked up a couple of Oscar nominations (including one for Holly Hunter, who had less than six minutes of screen time), and was a roaring success at the box office.

Set in Connemara, Christopher Andrews’s bloody debut stars Barry Keoghan and Christopher Abbott as two feuding shepherds caught in a cycle of patriarchal violence.

K editions of Throne of Blood and La Haine, Slade in Flame on Blu-ray and a new Flipside are among our titles now available for pre-orders.

With Japan’s first full-colour film, Carmen Comes Home, screening around the UK, we dive into the luminous world of Japanese colour filmmaking in the 1950s and early 1960s.

UK/Ireland box office generates £979 million, with Wicked the biggest film of 2024 and Back to Black leading the UK independent chart.

Norwegian writer-director Emilie Blichfeldt’s grotesque reworking of the Cinderella story creates a world where beauty is pain for some women, but life is pain for all of them.

The in-person events programme will include Hot Spot sessions with actor and filmmaker Alice Lowe (Timestalker, Prevenge), and theatre and film director Nadia Latif (The Man in My Basement).

On its 65th birthday, we go looking for the locations where Federico Fellini filmed his classic vision of Rome’s high society and beautiful people.

Co-produced by Luca Guadagnino, the new film from the acclaimed director of Beginning will be in UK and Irish cinemas from 25 April.

Two 1990s romances turn 30, Mike Leigh’s return to modern life, and a nailbiting Kurosawa thriller. What are you watching this weekend?

Inspired by a treasure trove of archive healthcare films in the BFI National Archive, three filmmaking teams were tasked with making new short films tackling modern stories of the National Health ...