Jeff Bark’s elaborately composed scenes channel sundered American fantasies. They also function as personal folklore.

In Dea Kulumbegashvili’s film, Ia Sukhitashvili plays a Georgian obstetrician who views a woman’s right to choose as an ...

From the daily newsletter: what happens when we can optimize pregnancy. Plus: Susan B. Glasser on Trump’s confused desires.

It makes sense that a man who yearns for a reality untroubled by other humans would be drawn to art that is untouched by anything human.

Paul Clement complained that Big Law was becoming “increasingly woke.” Now he’s defending one firm’s right to do just that.

In “Second Life,” the journalist Amanda Hess navigates the stratified landscape of contemporary reproductive technology.

It took its current form in 2018, under President Andrés Manuel López Obrador—a pugnacious, swaggering populist known ...

Also: reviews of Broadway’s “Smash” and “John Proctor Is the Villain”; New York’s financial crisis of 1975 in “Drop Dead City ...

With a big year ahead, the British rocker visited his old West Village haunts and remembered the bourbon-soaked night when ...

This documentary examines the economic changes and managerial missteps that brought the city to the brink of bankruptcy in ...

As Tesla’s profits drop, a group called Everyone Hates Elon is going viral for plastering London with fake advertisements for ...

Sarah Larson Larson is a podcast critic and staff writer.